We found the tone and mood of the lighting on the day, for the most part. I remember us discussing a sort of grunge and grit to the image, but finding balance between the sensual and the rough. We had recced the location and I had a basic idea of where the light would be coming from, but the colour and quality came on the day. We had two 1.2K HMI's outside the windows and the rest was produced by Titan Tubes, although the green tones were purely from the dirty fluorescents that were already in the cooler. In addition to the fluorescents having a green spike, I'm pretty sure the branded diffusion screen in front of them had a bit of green in it too. I had measured the colour with my C-800 and felt it was a great opportunity to let the film surprise us with the green, which unsurprisingly turned out to be brilliant and a great source of grunge.