I really wanted to push for the technology to be the smallest possible obstacle in order for us to have the time we needed for performance, but also the sheer amount of shots required, so that the comedy would have a chance to shine through as much as possible. Thinking about ways to prevent my own frustration from not being able to make things happen as quickly as they need to, for the simple reason that they cannot happen any faster, I thought the Ronin 4D would be a really good shout. I'd shot one short on the 4D before and then just some very minor testing during prep for Avalanche the year prior, but I had a feeling it would suit our needs really well, and allow for the camera to be placed with a higher degree of precision, and intention, in the shortest time possible. This turned out to be the case, in more ways than I had predicted!